Yes there are such several implications to electronic music production.
A whole different palette of sounds and techniques (musique concrete, acid house, detroit techno, …);
a means of enabling independent artists to realise their musical visions without big budgets (drum machines and synths enabled underground artists to keep the disco vibe alive after it died commercially, the budgets for big string and horn sections having disappeared); or
a means for cost-cutting and putting people out of work (much of current pop music fits into this category, I wish all those pop stars who profess to be so influenced by Michael Jackson, when they mean that they dance and have music videos as well as singing, would mean rather that they have great producers and arrangers and songwriters and session musicians and sound engineers create their recordings with them, of the calibre of Quincy Jones, Rod Temperton, Bruce Swedien, …).
A whole different palette of sounds and techniques (musique concrete, acid house, detroit techno, …);
a means of enabling independent artists to realise their musical visions without big budgets (drum machines and synths enabled underground artists to keep the disco vibe alive after it died commercially, the budgets for big string and horn sections having disappeared); or
a means for cost-cutting and putting people out of work (much of current pop music fits into this category, I wish all those pop stars who profess to be so influenced by Michael Jackson, when they mean that they dance and have music videos as well as singing, would mean rather that they have great producers and arrangers and songwriters and session musicians and sound engineers create their recordings with them, of the calibre of Quincy Jones, Rod Temperton, Bruce Swedien, …).